{"product_id":"house-eames-architektur-konstruktions-set-beamalevich","title":"Construction Toy \"House Eames\" – Wood · Metal | Beamalevich","description":"\u003cdiv class=\"cm-product\"\u003e\u003cp class=\"cm-label\"\u003e\u003cspan\u003e\u003cspan\u003eBEAMALEVICH\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"cm-tagline\"\u003e\u003cem\u003eFrom the Lounge Chair to the construction set — Eames, touchable.\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"cm-intro\"\u003eRay Kaiser Eames (1912, Sacramento, California — 1988, Los Angeles) and Charles Eames (1907, St. Louis, Missouri — 1978, St. Louis, Missouri) did not just write furniture history — they invented a visual language that fused architecture, colour, and playfulness into a style that is instantly recognisable. The Eames House (Case Study House #8, Pacific Palisades, Los Angeles, 1949), a steel frame filled with vivid colour panels, and the Eames Storage Unit (ESU, 1950), a colourful grid system of translucent and solid panels for Herman Miller, remain the clearest expressions of that language. Xavier Vidal, founder of Beamalevich in Barcelona and creator of the award-winning construction game Arquitecton, has translated this visual language into a physical object: HOUSE Eames is an architectural construction set at 1:100 scale that is never finished — because a true design object always promises the next iteration.\u003c\/p\u003e\u003cdiv class=\"cm-highlight\"\u003eArchitectural construction set · Wood \u0026amp; metal \u0026amp; magnetic elements · approx. 14 magnetic façade elements with Eames-inspired motifs · 1:100 scale · Beamalevich, Barcelona\u003c\/div\u003e\u003cp class=\"cm-section-label\"\u003eThe gift for everyone who grew up with Eames — or is just discovering them now\u003c\/p\u003e\u003cdiv class=\"cm-body\"\u003e\u003cp\u003eYou know someone who can recite every detail of the Eames Lounge Chair (1956), has watched “Powers of Ten” (1977) more than once, and still has never held an Eames object that actually wants to be built? HOUSE Eames is for exactly that person. Not another book, not another poster — a three-dimensional object that translates the design language of Ray \u0026amp; Charles Eames into a spatial experience you can hold, rearrange, and put back together differently every time.\u003c\/p\u003e\u003cp\u003eThe magnetic façade elements — inspired by the colourful grid system of the ESU and the colour panels of the Eames House — can be rearranged at will. No glue, no tools, no wrong solution. The set works as a gift for architects, designers, design students, and anyone who takes “Take your pleasure seriously” not just as a motto but as a daily practice. Packed in a compact box (16.7 × 9.1 × 5.5 cm, 0.6 kg) — ready to give without additional wrapping.\u003c\/p\u003e\u003c\/div\u003e\u003cp class=\"cm-section-label\"\u003eHow HOUSE Eames works\u003c\/p\u003e\u003cdiv class=\"cm-body\"\u003e\u003cp\u003eThree medium and two small square wooden bases with guide rails form the footprint. Eight L-shaped metal corner walls connect the bases into a stable building skeleton — no tools, no glue, just slot-together assembly. The approximately 14 magnetic façade elements with Eames-inspired motifs slide into the rail slots and hold magnetically. They can be removed, rotated, and reconfigured at any time. A to-scale figure set at 1:100 completes the set as an architectural detail. HOUSE Eames is never finished — that is the point.\u003c\/p\u003e\u003c\/div\u003e\u003cp class=\"cm-section-label\"\u003eProduct details\u003c\/p\u003e\u003ctable class=\"cm-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\u003ctd\u003eBrand\u003c\/td\u003e\u003ctd\u003eBeamalevich, Barcelona, Spain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd\u003eConcept\u003c\/td\u003e\u003ctd\u003eXavier Vidal (founder of Beamalevich, creator of Arquitecton)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd\u003eInspiration\u003c\/td\u003e\u003ctd\u003eRay \u0026amp; Charles Eames — Eames House (Case Study House #8, 1949), Eames Storage Unit (ESU, 1950), Herman Miller\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd\u003eMaterials\u003c\/td\u003e\u003ctd\u003eWooden bases with guide rails, L-shaped metal corner walls, magnetic façade elements\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd\u003eContents\u003c\/td\u003e\u003ctd\u003e3 medium wooden bases, 2 small wooden bases, 8 metal corner walls, approx. 14 magnetic façade elements, 1:100 figure set\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd\u003ePackaging\u003c\/td\u003e\u003ctd\u003e16.7 × 9.1 × 5.5 cm, 0.6 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd\u003eOrigin\u003c\/td\u003e\u003ctd\u003eSpain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003cp class=\"cm-section-label\"\u003eFrequently asked questions\u003c\/p\u003e\u003cdiv class=\"cm-faq\"\u003e\u003cdiv class=\"cm-faq-item\"\u003e\u003cp class=\"cm-faq-q\"\u003eIs HOUSE Eames a display object or can you actually build with it?\u003c\/p\u003e\u003cp class=\"cm-faq-a\"\u003eBoth. You can genuinely assemble the building skeleton from wooden bases and metal corner walls, slide the magnetic façade elements into the rail slots, and reconfigure them freely. There is no wrong configuration. At the same time the finished object is decorative enough to live on a desk or shelf as a three-dimensional still life from the world of Ray \u0026amp; Charles Eames.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv class=\"cm-faq-item\"\u003e\u003cp class=\"cm-faq-q\"\u003eWhat do the façade elements look like exactly?\u003c\/p\u003e\u003cp class=\"cm-faq-a\"\u003eThe approximately 14 magnetic façade elements draw directly from the visual language of the Eames Storage Unit (ESU, 1950) and the Eames House (Case Study House #8, 1949): rectangular colour fields, grid structures, and the characteristic interplay of translucent and solid surfaces that makes the design of Ray \u0026amp; Charles Eames so instantly identifiable.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv class=\"cm-faq-item\"\u003e\u003cp class=\"cm-faq-q\"\u003eCan the HOUSE sets in the series be combined with each other?\u003c\/p\u003e\u003cp class=\"cm-faq-a\"\u003eYes. The HOUSE sets by Beamalevich — including Bauhaus Dessau (Gropius), Op Art (Vasarely), Unité d’Habitation (Le Corbusier), Malevich, Mondrian, and Metropolis — all use the same base system and are fully combinable. Collectors with multiple sets can build larger architectural compositions.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv class=\"cm-faq-item\"\u003e\u003cp class=\"cm-faq-q\"\u003eWhat age is HOUSE Eames suitable for?\u003c\/p\u003e\u003cp class=\"cm-faq-a\"\u003eHOUSE Eames is primarily an object for adults — for design enthusiasts, architects, art collectors, and anyone who appreciates the work of Ray \u0026amp; Charles Eames. Children from around age 8 can play with it under supervision; small parts make it unsuitable for toddlers.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv class=\"cm-faq-item\"\u003e\u003cp class=\"cm-faq-q\"\u003eWhere does Beamalevich come from and who is behind it?\u003c\/p\u003e\u003cp class=\"cm-faq-a\"\u003eBeamalevich was founded by Xavier Vidal in Barcelona, Spain. Vidal is also the creator of Arquitecton, an award-winning construction game that makes architectural history tangible as an interactive object. The HOUSE series is the natural evolution of that idea — with iconic buildings and design systems of the twentieth century as its inspiration.\u003c\/p\u003e\u003c\/div\u003e\u003c\/div\u003e\u003cdiv class=\"cm-cta\"\u003e\u003cp\u003eHOUSE Eames — Beamalevich, Ray \u0026amp; Charles Eames. The object that is never finished.\u003c\/p\u003e\u003c\/div\u003e\u003c\/div\u003e\u003cdiv class=\"cm-product\"\u003e\u003cp class=\"cm-label\"\u003e\u003cspan\u003e\u003cspan\u003eBEAMALEVICH\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"cm-tagline\"\u003e\u003cem\u003eEames’ visual language as a spatial object — never finished, always precise.\u003c\/em\u003e\u003c\/p\u003e\u003cp class=\"cm-intro\"\u003eThe work of Ray Kaiser Eames (1912, Sacramento, California — 1988, Los Angeles) and Charles Eames (1907, St. Louis, Missouri — 1978, St. Louis, Missouri) resists reduction to a single object. Charles studied architecture at Washington University in St. Louis, then at the Cranbrook Academy of Art in Michigan under Eliel Saarinen; Ray studied painting under Hans Hofmann. From this intersection of architecture, graphic thinking, and materials research emerged a design language that found its purest expressions in the Eames House (Case Study House #8, Pacific Palisades, Los Angeles, 1949) and the Eames Storage Unit (ESU, 1950, Herman Miller): steel frames, colour fields, grid structures, translucent and solid panels. Xavier Vidal, founder of Beamalevich in Barcelona, has translated this language into HOUSE Eames — an architectural construction set at 1:100 scale that functions simultaneously as collector’s object, display piece, and thinking model.\u003c\/p\u003e\u003cdiv class=\"cm-highlight\"\u003eWood \u0026amp; metal \u0026amp; magnetic elements · 1:100 scale · Inspired by ESU \u0026amp; Case Study House #8 · Combinable with the HOUSE series · Beamalevich, Barcelona\u003c\/div\u003e\u003cp class=\"cm-section-label\"\u003eEames’ visual language as a spatial object\u003c\/p\u003e\u003cdiv class=\"cm-body\"\u003e\u003cp\u003eThe Eames Storage Unit (ESU, 1950) is the most direct visual reference for HOUSE Eames: a modular shelving system of steel frames, wooden panels, and coloured plastic elements that is simultaneously functional and an aesthetic statement. The approximately 14 magnetic façade elements of HOUSE Eames draw precisely from this visual language — rectangular fields in characteristic Eames colours, grid structures, the play between volume and transparency. The Eames House (Case Study House #8, 1949) provides the architectural logic: a steel frame with coloured infill panels that define interior and exterior space at once.\u003c\/p\u003e\u003cp\u003eXavier Vidal translates these references not illustratively but structurally. The wooden bases with guide rails and the L-shaped metal corner walls reproduce the constructive logic of Eames thinking. The magnetic elements are never fixed — the object remains open to reconfiguration, exactly as the design thinking of Ray \u0026amp; Charles Eames itself always was.\u003c\/p\u003e\u003c\/div\u003e\u003cp class=\"cm-section-label\"\u003eThe object as display piece and conversation opener\u003c\/p\u003e\u003cdiv class=\"cm-body\"\u003e\u003cp\u003eHOUSE Eames operates in two modes. In the first it is an active construction object: slot in the bases, connect the corner walls, slide the façade elements into the rail slots and let them hold magnetically, place the 1:100 figure set as an architectural detail. In the second it is a quiet display object that makes a statement on any desk or shelf. Those who know the references — ESU, Case Study House, Herman Miller, “Take your pleasure seriously” — understand immediately. Those who do not will want to know more.\u003c\/p\u003e\u003cp\u003eThe HOUSE series by Beamalevich includes further icons: Bauhaus Dessau (Gropius), Op Art (Vasarely), Unité d’Habitation (Le Corbusier), Malevich, Mondrian, Metropolis. All sets use the same base system and are combinable — for collectors who want to experience the architecture and design history of the twentieth century in three dimensions.\u003c\/p\u003e\u003c\/div\u003e\u003cp class=\"cm-section-label\"\u003eProduct details\u003c\/p\u003e\u003ctable class=\"cm-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\u003ctd\u003eBrand\u003c\/td\u003e\u003ctd\u003eBeamalevich, Barcelona, Spain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd\u003eConcept\u003c\/td\u003e\u003ctd\u003eXavier Vidal (founder of Beamalevich, creator of Arquitecton)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd\u003eInspiration\u003c\/td\u003e\u003ctd\u003eRay \u0026amp; Charles Eames — Eames House (Case Study House #8, 1949), Eames Storage Unit (ESU, 1950), Herman Miller\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd\u003eMaterials\u003c\/td\u003e\u003ctd\u003eWooden bases with guide rails, L-shaped metal corner walls, magnetic façade elements\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd\u003eContents\u003c\/td\u003e\u003ctd\u003e3 medium wooden bases, 2 small wooden bases, 8 metal corner walls, approx. 14 magnetic façade elements, 1:100 figure set\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd\u003ePackaging\u003c\/td\u003e\u003ctd\u003e16.7 × 9.1 × 5.5 cm, 0.6 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd\u003eOrigin\u003c\/td\u003e\u003ctd\u003eSpain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003cp class=\"cm-section-label\"\u003eFrequently asked questions\u003c\/p\u003e\u003cdiv class=\"cm-faq\"\u003e\u003cdiv class=\"cm-faq-item\"\u003e\u003cp class=\"cm-faq-q\"\u003eHow direct are the references to specific Eames works?\u003c\/p\u003e\u003cp class=\"cm-faq-a\"\u003eThe façade elements are recognisably inspired by the Eames Storage Unit (ESU, 1950) and the Eames House (Case Study House #8, 1949) — in their colouring, grid structure, and the interplay between translucent and solid surfaces. This is a considered design interpretation rather than an exact reproduction; the object functions as a self-contained design piece with clearly legible references.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv class=\"cm-faq-item\"\u003e\u003cp class=\"cm-faq-q\"\u003eIs HOUSE Eames combinable with other sets in the HOUSE series?\u003c\/p\u003e\u003cp class=\"cm-faq-a\"\u003eYes. All HOUSE sets by Beamalevich — Bauhaus Dessau, Op Art, Unité d’Habitation, Malevich, Mondrian, Metropolis — use the same base system and can be combined into larger compositions.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv class=\"cm-faq-item\"\u003e\u003cp class=\"cm-faq-q\"\u003eWhat is Xavier Vidal’s background as a designer?\u003c\/p\u003e\u003cp class=\"cm-faq-a\"\u003eXavier Vidal is founder of Beamalevich in Barcelona and creator of Arquitecton, an award-winning construction game that translates architectural history into an interactive object. The HOUSE series is the direct evolution of this approach — iconic buildings and design systems of the twentieth century as physical, combinable objects.\u003c\/p\u003e\u003c\/div\u003e\u003c\/div\u003e\u003cdiv class=\"cm-cta\"\u003e\u003cp\u003eHOUSE Eames — Beamalevich. The Eames visual language. Touchable.\u003c\/p\u003e\u003c\/div\u003e\u003c\/div\u003e","brand":"BeaMalevich","offers":[{"title":"Default Title","offer_id":44629877227788,"sku":"BEA_0002_00_EA","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0065\/0104\/0226\/files\/House-Charles-Ray-Eames-BeaMalevich-building-blocks-Architektur-Bausteine-Set-mood3-2130.jpg?v=1695323384","url":"https:\/\/chirlesindmirie.com\/en\/products\/house-eames-architektur-konstruktions-set-beamalevich","provider":"Charles \u0026 Marie's Design- \u0026 Geschenke-Shop","version":"1.0","type":"link"}